glee-wallpaper-canadian-gay-boySome shows spark conversation, blogs and water cooler discussions, and Glee is most definitely one of those. Last October, Madonna, as entranced by the charm of singing high school misfits, granted music rights to her songs to the series for an all-Madonna episode. This episode aired on April 20, 2010, once again showing us that Glee is willing to tackle the hard issues, including teenage sexuality, in a playful and whimsical way. The message behind this episode? Woman (or girl) power, at least in theory. Like a Prayer, Express Yourself, and, of course, Like a Virgin all were key numbers in the long-awaited Madonna episode.

So, the boys realize that the girls deserve more respect than they’re getting with prodding from Will, Sue does Vogue, Tina stands up for herself and Rachel, Finn, and Emma all wrestle with issues surrounding sex. Jesse pressures Rachel and she eventually says no. Santana pressures Finn and he says yes. Emma tries, and finally says no…all choreographed to Like a Virgin. More interestingly, Rachel claims she did and Finn claims he didn’t. Will tells Emma she needs to get help and he needs to get a divorce. Finn and Mercedes join the Cheerios to take starring roles they don’t necessarily get in New Directions, convincing Sue simply with “Mercedes is black. I’m gay. We make culture.” Sue tells us that Madonna is all about power, and Rachel, Emma and Santana all take their own, as do Mercedes and Kurt in their own way.

There’s no discussion of Glee without a discussion of being gay on Glee. While Madonna is certainly an icon in the gay community, Kurt plays a minor role in this episode. It seems likely we’ll see a much more Kurt-centered episode when it’s Lady Gaga’s turn on Glee. While Kurt is the only openly gay character on the show, we’ve seen multiple references to bisexuality on the part of both Santana and Brittany. The two girls offer to let Finn watch them make out and in an earlier episode, they casually mention having had sex. Fox’s official Glee Wiki lists the two as “Best Friends. With Benefits.” There’s certainly no arguing that Glee plays with stereotypes, allowing characters to be weak, flawed, and very human, whether they’re gay, straight or bisexual.